Canon EW-83E Lens Hood + 77mm UV Glass Filter + Precision Design 6-Piece Deluxe Cleaning Kit + CapKeeper – for Canon EF 16-35mm f/2.8L USM, EF 17-40mm f/4L USM & EF-S 10-22mm f/3.5-4.5 USM Lenses

Kit includes:

1. Canon EW-83E Lens Hood for Canon EF 16-35mm f/2.8L USM, EF 17-40mm f/4L USM & EF-S 10-22mm f/3.5-4.5 USM Lenses
2. Vivitar 77mm UV Glass Filter
3. CapKeeper 2 Lens Cap Strap
4. Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit

The Canon EW-83E Lens Hood is primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you also get the added benefit of some extra protection from accidental impact. Dedicated lens hoods, such as the Canon EW-83E, are designed to match the specific focal length of the lens it was designed for.

This Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed to optimize your photography experience. UV filters block out unwanted ultraviolet light and prevents the UV “fogging/haze” effect”, which can result in inaccurate color and lower the apparent sharpness. This filter is also ideal for protecting your valuable lens from scratches and dust, and it can be kept on the lens at all times. Perfect for digital, video and photo.

The CapKeeper 2 is an elastic loop, which wraps around lens barrel of your camera, with lens cap leash. It prevents lens cap loss with adhesive-backed disc attached to the cap. The CapKeeper 2 is designed for SLR cameras with interchangeable lenses and video cameras. Never lose your cap again!

This 6-piece cleaning kit contains everything you’ll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

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Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

This exciting new zoom lens provides ultra wide-angle coverage to the EOS 20D and Digital Rebel shooter. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.

Features

• Excellent optical quality and true wide-angle coverage with select digital SLRs
• Superior AF performance and speed, with full-time manual focus by simply turning ring
• Close-focusing to 9.5 inches — fill the frame with subjects as small as 3.6 x 5.4 inches
• Relatively compact size and light weight for an ultra-wide zoom lens
• Inner focusing system (no front element rotation); length doesn’t change if zoomed
• Circular aperture design — natural highlights, even stopped down two stops
• Electronic diaphragm — manually-set apertures stay constant from f/4.5 thru f/22
• EF-S lens mount — exclusively for EOS 20D and Digital Rebel bodies

Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs Review

I am very impressed with this lens. I didn’t realize just how wide-angle this lens was. At 10mm, I can stand just a few feet in front of a 13-story building, and get the whole thing in the picture, from the entrance to the top of the building.

As with all very-wide lenses, you have to be careful that you don’t have people at the edges of the frame or too close to the lens, or they will appear very distorted when taking pictures at 10mm. Also note that a wide angle lens is not easy to use at first to create compelling images, as it’s very easy to include too much clutter in your compositions.

PROS
- optical quality is excellent (deserves an “L” lens designation)
- uses the higher quality ring-type USM focusing
- minimum focusing distance is very close
- surprisingly lightweight
- very flare-resistant even without hood
- the only option for EOS digital cameras (Rebel, Rebel XT, 20D) to get true wide angle shots due to the smaller APS-C sensor in those cameras.

CONS
- It’s expensive! But at least it is cheaper than a year ago.
- The lens is a little soft in the corners at 10mm, but is very sharp at 12mm and up.
- Canon has not formally committed to how long they will continue to make cameras and lenses using the EF-S system.
- The lens currently only works on the lower-end dSLR cameras — the 10D, 1D, 1Ds, and 5D cameras cannot use this lens.
- The hood is not included with this lens, but it’s such as ugly hood and the lens doesn’t have flare problems, so I don’t really think it is necessary anyway.

In 5 years when you upgrade your camera, there is a possibility that it will not support this lens. This depends on what direction Canon goes in making camera sensors:
1) continue to make cameras that use the smaller APS-C sensor, and keep improving its density to support more and more resolution. This will help keep the dSLR cameras smaller and lighter, and will necessitate making EF-S lenses the standard.
2) make the sensors match the size of a frame of 35mm film. And at the same time increase the density to yield even more resolution. Right now sensors this big are very expensive to produce.

I now think that #2 is more likely to happen. All the other lenses out there are built for a 35mm-film-sized sensor, and now that Canon has released another full-frame camera (5D) at a lower price, I’m betting that in another few years the APS-C sensor will be practically obsolete. A 5D body and 16-35 or 17-40 lens will give you better results than a 20D with this lens, but the difference in price between the two setups is a few thousand dollars right now.

The 10-22 is an excellent lens, but it will probably not hold its value as well as the Canon 16-35 and 17-40 lenses. A slightly more affordable alternative is the Sigma 10-20mm, which sounds like it nearly equals the optical quality of this lens.

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Canon EF 100mm f/2.8 Macro USM Lens for Canon SLR Cameras

Bring small things into full-sized view with the Canon EF 100mm macro USM lens. Macro lenses can uncover detail that would be impossible to detect by the eye and give new perspective to extremely minute subjects such as insects or the petals of a small flower, and this lens is no exception. The lens offers such features as a three-group floating system for exceptional close-up performance; a secondary diaphragm that blocks stray light at f/2.8, which increases contrast when shooting wide open; a ultra-sonic monitor (USM) that provides outstanding autofocusing speed at all focusing distances; a wide manual focusing ring with smooth action; and full-time manual focus even in AF mode. The first lens in its class to feature inner focusing, the lens carries a one-year warranty.

• Focal length: 100mm
• Maximum aperture: 1:2.8
• Lens construction: 12 elements in 8 groups
• Diagonal angle of view: 24 degrees
• Focus adjustment: Inner focusing system with USM
• Closest focusing distance: 1 foot (film plane to subject)
• Filter size: 58mm
• Dimensions: 3.1 inches in diameter, 4.7 inches long

• Weight: 21.1 ounces

Canon EF 100mm f/2.8 Macro USM Lens for Canon SLR Cameras Review

The Canon EF 100mm f/2.8 Macro USM lens is an extremely good lens. I spent weeks researching which single lens I should first purchase for my (now extinct) 10D, and this lens won out on three points: sharpness, f/2.8 and 1:1 macro capability. The only thing it’s missing is zoom… and that I can do with my feet.

I have since added a Canon 28-135 to my (small) collection of lenses. The 100 mm macro is not the lens I usually use, except when I am doing studio work of small things… which means that whenever I am working in my studio it’s on my camera except for portraiture.

That’s not to say it isn’t good for portraits; on the contrary, it’s great for portraits. I just have too little room to work with indoors for it to be very useful as a portrait lens.

This lens, however, was touted as being “as sharp as L glass”, and “one of, if not the, the sharpest non-L lenses Canon makes”. I have not yet started purchasing L glass, but I can attest that this lens will make even critical pixel peepers like myself quite happy.

I use two methods for getting exceptional focus. First, I hit the shutter button to achieve focus five separate times. This achieves and fine tunes focus. Second, when I am doing macro work, I always focus manually.

No rails or ring lights here; I’m not a macro photography expert. But I have never failed to appreciate the sharpness this lens offers in all usages.

Another nice thing about it is the small 58 mm filter size. Much easier on the wallet than 72mm, 77mm, 86mm, etc.

I love this lens. The only drawbacks I can find with it are:

1. It is a prime. You have to move it or use rails to get a different “zoom”.
2. It is sharper than is advisable for doing portrait photography. You’ll have to manually “soften” some images to minimize skin blemishes if you don’t want to airbrush.
3. Distance from subject in macro mode is only a handful of inches… not enough for doing macro work of most animate living things.

Otherwise, I always come back to this lens for when I need razor sharp images.

By the way, I find that reviews are not as useful unless I know the experience level of the photographer and their camera type. I am using a Canon 5D Mark 2, which is 21.1 mp. This allows me to be supremely aware of flaws to the optics. This lens keeps up with the full frame 21 mp sensor just fine. I am also what I would call a semi-pro photographer who is on the early end of “medium” level of skill/experience compared to the top pros. I have been studying photography, on my own and in college, since 2000. Hope that helps.

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Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras

Capture the far-off action of fast-paced sports or zoom in for an intimate portrait with the Canon EF 75-300mm telephoto zoom lens. This high-performance 4x zoom lens is distinguished by such features as a newly developed micro ultra-sonic monitor (USM) that makes autofocusing quicker and quieter, along with an improved mechanism to make zooming smoother than ever. Plus, the front part of the zoom ring now sports a silver ring, giving the lens a luxurious touch. As with all Canon lens, this 75-300 model carries a one-year warranty.

Focal length: 75-300mm
Maximum aperture: 1:4-5.6
Lens construction: 13 elements in 9 groups
Diagonal angle of view: 32 (at 11 feet) to 8 degrees (at 15 feet)
Focus adjustment: Front group rotating extension system with USM
Closest focusing distance: 4.9 feet
Zoom system: Rotating type
Filter size: 58mm
Dimensions: 2.8 inches in diameter, 4.8 inches long
Weight: 16.8 ounces

Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras review

No it’s not especially if you take into account its intended users. If you use a Canon digital SLR and are satisfied with the kit lens (18-55) then buying this lens can be the perfect next step for you. Practically speaking, you will be able to increase your zoom reach to the point where you can A) photograph birds in moderately distant trees, B) be able to zoom in on the other side of a valley and frame something of your interest. Those are just two examples. One thing you will NOT be able to do effectively with this lens, however, is to take sport shots with it. How so? Consider some of the following weakness:

*At 300mm zoom range the highest aperture is limited to 5.6 (You will have to use very slow shutter speed to snap fast action shots; remember the inverse relation between aperture and shutter speed.)
*The lens size/weight combination makes it hard to hold steady when attached to a camera like the Rebel XT
*Slow and often inaccurate auto focus (I just don’t understand why Canon makes a USM version of this lens for $20 more, but never includes it in the triple rebate program)
*Chromatic aberration is significant in high contrast lighting like in full sun (if you do not know what Chromatic aberration means search the term online or check out my review of the Canon 28mm 2.8 on Amazon, but to summarize, it would be a discoloration at the fringes of objects in your picture)

Those kinds of weakness will limit your ability to use this lens in all sorts of other situations/circumstances. As a practical rule to follow, if the lighting is less than ideal this lens will give you a hard time. Meaning, it will be possible to use it, but you may get too many blurry images because of shake from slow shutter speeds. As for what are ideal lighting conditions? That would be full sun with few or no clouds and with the light bathing your subject/object from the front or the side.

So is this lens that bad? Not really, as with many other lenses, when the lens is coupled with a good camera it still out performs most Point and Shoot cameras. Plus it provides results at par or slightly below the kit lens (18-55). So if you are satisfied with your kit lens, which provides you with a zoom range comparable to 3X zoom (55/18= 3), why not add another lens that will expand your zoom range by another 4X (300/75=4)? Nothing wrong with expanding your horizon!

PS. TWO MORE POINTS ABOUT USING THIS LENS: First, if you’re confident you can handhold this lens at slow shutter speeds (I know I can’t) then the low maximum aperture shouldn’t be a major problem. Second, if you’re fine shooting at high ISO (more like 400 or 800) then again the low maximum aperture shouldn’t be a problem. The nice thing about photography is that you can do one thing in so many ways, so don’t be afraid to explore with this lens!

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Lensbaby 2.0 Canon EF Mount SLR Camera Lens (LB2C)

The Lensbaby 2.0 is a second-generation selective-focus SLR camera lens, bringing brighter, sharper, and faster selective focus photography to professional and avid amateur photographers. Compared to the Original Lensbaby, Lensbaby 2.0 has a greater range of aperture settings, a much sharper “sweet spot” of focus, and a new levitating magnetic aperture system that makes it a snap to change apertures.

Images taken with the Lensbaby 2.0.
(Click for larger views.)
Lensbaby 2.0 and the Original Lensbaby bring one area of a photo into sharp focus, with that “sweet spot” surrounded by graduated blur, glowing highlights, and subtle prismatic color distortions. Photographers can fluidly move the sharp area around the photo by bending the flexible lens tubing.

Lensbaby 2.0 features an f2.0 aperture setting in addition to the Original Lensbaby’s f2.8, f4.0, f5.6, and f8.0. With Lensbaby 2.0, a photographer can control the size of the sweet spot of sharp focus by changing the apertures. The brighter the aperture, the smaller the sweet spot of focus, and the greater the amount of graduated blurring in the photo’s surrounding area.

Lensbaby 2.0 also features a coated, high-refractive-index, low-dispersion optical glass doublet instead of the singled uncoated optical glass element in the Original Lensbaby. Lensbaby 2.0’s optic creates a much sweeter sweet spot of focus, which allows photographers to print large photos and see fine details like eyelashes or individual threads of fabric in the sharp area. Photographers will also find that Lensbaby 2.0 has minimal diffusion even at the f2.0 aperture setting.

Lensbaby now has two products that will appeal to a broader range of photographers. Many photographers will want to have both versions of Lensbaby in their camera bags; others will naturally find a favorite. Those who love soft-focus, diffused images will gravitate towards the Original Lensbaby, while photographers who want a brighter lens with a very sharp sweet spot of focus and minimal diffusion will favor Lensbaby 2.0.

Lensbaby 2.0 also features a levitating magnetic aperture system that makes changing apertures faster than with the Original Lensbaby, which uses a rubber gasket to hold aperture disks in place. Lensbaby 2.0 uses three shielded magnets embedded inside the optics cup to suspend metallicized plastic aperture disks just above the coated optical glass doublet. When a photographer drops an aperture disk into Lensbaby 2.0, it quickly snaps into position.

Removal is also very easy: Lensbaby provides a complimentary Cell-Klear Lenspen that the photographer inserts through the center hole in the aperture disk to lift it out.

Both Lensbaby 2.0 and the Original Lensbaby combine several vintage camera technologies in a novel, patent-pending combination. The shooter focuses a Lensbaby using the same general principle used with a bellows camera, by moving the focusing collar in and out with his or her fingertips. The photographer moves the sweet spot of focus around the picture by bending the glass optic out of a parallel position to the image capture plane, like a tilt-shift lens.

The Lensbaby 2.0 Canon EF Mount fits all Canon digital and film EOS SLR bodies, as well as the Kodak DCS-1, DCS 520, DCS 560, and DSC PRO SLR/c. (Note: A Lensbaby does not communicate electronically with your camera body.)

Lensbaby 2.0 Canon EF Mount SLR Camera Lens (LB2C) reviews

This lens looked to be way too much fun for $150, so I took a chance and bought one and am happy I did. It does take some practice to get the focusing down but it is fun to learn and experiment with. I have mostly L lenses and was suprised by the photo quality this lens produces. It is not in the same league as an L lens but still produces nice images. The f/stop inserts are easy to use but I did have to find a place in my camera bag to keep them. You really need to have control of your settings to get the exposure correct, but I am having lots of fun with it. The quality and having to keep up with a seperate bag of inserts is why I rate this at 4 stars but for fun it is definitely a 5.

I’m a huge fan of tilt shift photography and this makes it so easy- good for newbies and pros alike. I bought it to use with my Olympus e-500 and it works great! Takes a little getting used to- but once you get a hang of it – it’s a lot of fun to use! I’ve been comparing photos I’ve taken with it to ones I took with a regular SLR (same shots)- and the lensbaby certainly makes an ordinary photo more interesting. It’s light and fits nicely in my camera bag. Comes with a little fabric bag to store it in. Instructions are easy- but just to note- in English only. If you really want to have more fun with your photo taking- This is a great way to do it. I wish it came with a sun filter to protect the lens. Not sure if they make one for it or not.

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Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens

Incorporating Canon’s Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, the image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty.

Specifications

• Focal length: 55-250mm
• Maximum aperture: f/4 to f/5.6
• Lens construction: 12 elements in 10 groups, including one UD-glass element
• Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors
• Focus adjustment: DC motor, gear-driven (front focusing design)
• Closest focusing distance: 3.6 feet (0.31x maximum close-up magnification)
• Filter size: 58mm
• Dimensions: 2.8 inches in diameter and 4.3 inches long
• Weight: 13.8 ounces
• Warranty: 1 year

Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens Reviews

I was determined to love this lens based on the specs and price point alone. Canon really needed to come out with this lens at this price because Nikon offers a very decent Vibration Reduction lens at roughly the same range for the same price, leaving me to make apologies for Canon and their neglect to all my Nikon friends.

The IS can be switched off to save battery life but I haven’t noticed a difference in battery performance with it. The IS is only activiated when you press the shutter halfway for auto focus. Although it FEELS like there is a small lag for the IS to start, I don’t think I’ve had any photos messed up because of it.

You can HEAR the IS. A little bizarre after using point and shoots that have IS that is silent, but it doesn’t seem to affect performance

Pro: Great price for an image stabilized zoom lens. I paid 299 and am very pleased even though Amazon is selling it for 280 a week later. ALso arrive 2 months sooner than Amazon initially promised. This lens has NEVER been 400 dollars. Its MSRP from Canon prior to release was 299.00. Shame Amazon!

Pro: Images are very sharp.

Pro: Image stabilization does a VERY nice job. Four stops as advertised by Canon? I’m not so sure. GREATLY enhancing the composition experience at 250mm? Absolutely.

Pro: Much smaller and lighter than the 70-300 of any manufacturer and much sharper than my Sigma 70-300.

Con: Cheapish feel. But just use it, quit feeling it already. Plastic mount. But if you NEED a metal mount, may I suggest you are being a little rough with your camera. *UPDATE* The plastic flanges on back were able to hold the camera securely to the lens, but NOT hold the rear cap securely to the lens. I’ve tried many different rear lens caps that fit snugly on other lenses. So I think this is beyond cheap feel and has to be called CHEAP BUILD.

Con: This lens is a little (ok, maybe not so little) slow to focus in dim light, sometimes it misses altogether when I think other lenses of mine would have had no difficulty.

Con: I never gave Inner Focusing much thought on my other lenses until I used this. The front of this lens rotates AND moves in and out a LOT while focusing, so much so that you MAY even want to recompose your shot. The length of this lens changes almost an inch across the focus range. I just checked my Sigma 70-300 and found that it does also, but I’ve never seen it make as much difference in the viewfinder as I have with this Canon. Your perception may vary.

This lens and the soon to be arriving 18-55 IS as the XSi kit lens will allow me to carry one less lens to achieve an 18-250 IS range. For a little more money than the cost of both lenses you can get the Tamrom 18-250 but not have Image Stabilization. And now Sigma has an 18-200 WITH Optical Stablization for about what these 2 lenses cost retail, but in testing the 2 Canons produced beter images.

Conclusion: A great EF-S lens for Canon users. (even if Nikon had to force Canon to make it for us.)

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Canon EF 50mm f/1.8 II Camera Lens

Lightweight and affordable, the Canon EF 50mm lens–which offers a fast f/1.8 aperture–is an excellent lens for people who prefer a fixed focal length. Canon’s lightest EF lens at a mere 4.6 ounces, the lens boasts a traditional Gauss-type optical design that delivers a sharp performance even when wide open. As a result, the lens provides an image that’s extremely close to how your eye perceives a subject, making it excellent for portraits and images that require a natural depth of field. In addition, the lens focuses as close as 18 inches, helping you take extreme close-ups. Finally, the lens offers an excellent color balance. As with all Canon lenses, the lens carries a one-year warranty.

• Focal length: 50mm
• Maximum aperture: 1:1.8
• Lens construction: 6 elements in 5 groups
• Diagonal angle of view: 46 degrees
• Focus adjustment: Overall linear extension system with Micromotor
• Closest focusing distance: 1.5 feet
• Filter size: 52mm
• Dimensions: 2.7 inches in diameter, 1.6 inches long
• Weight: 4.6 ounces

Canon EF 50 mm f/1.8 II camera lens Review

Once upon a time the 50 mm lens was THE standard camera lens and was THE optical benchmark by which manufacturers were judged and compared. Although the basic lens focus has now shifted (at least at the low to mid amateur level) to zooms – you can still benefit from years of research and development that went into designing the 50 mm lens and this here lens may be the best lens, dollar for dollar, that you can ever buy. The question is can you afford not to own this lens?

Years of development have brought us a lens that has a fast aperture of 1.8 – far faster than any consumer zoom lens – and that is sharp as a filed tack. Be forewarned about the sharpness . . . if you are taking pictures of people, this lens is unyielding in its sharpness and may well surprise you and your subjects whose every blemish is captured. The lens has a fabulously shallow depth of field if you want to use the 1.8 aperture to blow out a background. This lens is also ridiculously inexpensive. It is not USM – so it is a little loud. It does not have a moving focus scale. For the money though – this is heaven.

As to the build quality – yes, it is plastic. No, it’s not built like the Rock of Gibraltar. If you are going to give this lens extensive use as your everyday lens and you shoot a lot, it may not hold up all that well as one reviewer suggests. However, I’ve now had this lens and used it fairly regularly (although not as the primary lens) for about 8 years and it is still in great condition. In my mind, spend the $$ on this first before you go and drop $330 on the 50mm 1.4 USM lens and I think you’ll find it gets the job done nicely and that the extra $250 on the 1.4 may not be worth the difference in build (major difference), speed (minor difference) and image quality (minor difference).

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